Max Hattler's Lecture for CalArts Structuring Stategies

            
Basement Jaxx: Where's Your Head At (by Max Hattler) from Max Hattler on Vimeo.

"I am interested in the space between abstraction and figuration, where storytelling is freed from the constraints of traditional narrative...While my films tend to be without dialogue, they explore the relationship between sound, music and the moving image." ~Max Hattler

This week, Max Hattler is a visiting artist at Calarts and will be working with the experimental animation students.  The stopping point will be at 4 on Saturday afternoon with a screening of the work created.
The question of how the artist labels himself came up, and like many artists of this new century, it's hard to define.  His father was a musician, and while not interested in taking on music or his father's footsteps, it seems as if Hattler often thinks like a musician in problem solving and creating his work.  As from the quote above, sound does play a big part in his creative process, often having the composition or soundscape created at the same time of the visual.  Once completed, the sound often influences the rest of the process of completing the piece.  This is not surprising since he has an interest in the "space between the abstract and figurative world" and music/sound seems to work in the same way.
Unlike many traditional animators, dealing with a storyboard and animatics is something that Hattler chooses not to do, feeling that this type of process constrains him.  His work has a spontaneous quality, and is performative due to his collaboration with musicians and live performance.  He stated that just like a musician, he wanted to be able to do studio work but then go out and perform it as well.

Max Hattler also has a desire to get his work out and seen by others.  He has collaborated with several bands, screened at numerous festivals and has had many solo exhibitions internationally.  It looks as if at this point, he is leaning toward more exploration of installations since "you can control the space" more.  What was of most interest of Max Hattler's screening last night, was his body of work is so diverse, yet his work always shows a sense of play and discovery.  It is as if he is composing with light and image instead of notes on a paper.

Update via Gina Marie Napolitan from Calarts--Come by C113 (next to the video studio) at 5pm today (1/29) and bear witness to a two-channel installation of mandala-style CG motion capture alchemy! A collaboration between visiting artist Max Hattler and a hard-working team of students from the Experimental Animation program. _______________________ _________________________________

First trip to the California African American Museum

Saturday was my first trip over to the California African American Museum, where there was a reception for the exhibit Allensworth.  This exhibit found its way to the galleries after an artist excursion to Colonel Allensworth State Historic Park, originally the first all black settlement/town in California.  The prints from the collectiveof photographers in the exhibit are all reproduced by Mel Carll from the SCV Center for Photography.  It's a large body of work, documenting the faded glory of a utopia or commune of the past, with many subjects explored by different artists.  The exciting thing for Santa Clarita and the SCV Center for Photography is that there is talk of this show traveling.
The California African American Museum is extremely large, with many galleries.  Also on display were two exhibits that flowed into each other, Camera and Community and Daufuskie Island. I had a big interest  in the Daufuskie Island photo exhibit since Pat Conroy's book,  The Water is Wide is one of my favorite books and was set on Daufuskie, fictionalized as "Yamacraw Island." It's of interest as well to see documentation of a life that no longer exists and thinking of the gullah dialect, so well preserved there for so many years now quickly being lost since most of the living there is gone.  The pictures are of an era gone. Now the remains is golf courses and an end to the oyster fishing.
With Camera and Community, there were many political pictures of aftermaths from riots (Watts) and the documentation of Caesar Chavez's hunger strike and work.  What was of interest to me were the pictures of musicians many performing while in SoCal but also performing all over the U.S.  The two pictures I took the time to jot down information on were funny.  One was a work title Parade from 1940, with three dads holding kids on their shoulders and we get of glimpse of a great little baby butt crack-somethings never change!  Also of interest was an undated work of Harry Adams the was of a dance class with 13 little girls lined up at the barre.  This photo took some time to study as it was difficult to count the number of girls with their teacher and it was surprising to see only three girls with shoes on.  Granted this looks to be from the 60s and the class is all black, but as a child taking class, we all were required to have proper attire and it amazed me to look at this class, learning with what they had.
Lastly, How We Roll, was an interesting curation of African Americans in the sport of surfing, skateboarding, and roller skating.  Lots of info and lots of displays, it made me sad to see a 16mm film camera in a display case, but there were some longboards on the wall that were so beautiful and crafted with different wood, they were a work of art on a wall and it would be of interest to see them out on the asphalt jungle so to speak.
Overall this was an amazing museum with a variety of galleries that showed many different aspects of the mission of the museum.  The foyer was so large and had high ceilings and plenty of wall space to feature artists inspired by the exhibits and they took advantage of it, with large possibly 2 story high art collections hung on the walls.  It was so much to take in, at one point my friend and I couldn't believe we had missed part of the art in that space, but we were so focused on another that we just missed it.  Take a trip out and discover this gem--First Sundays of the month are free to the public, but since it shares parking with the coliseum, know your game days and avoid them! _______________________ _________________________________

Moses Supposes in a Jetta!

Just saw this Jetta Commercial and am AMAZED! Singing in the Rain is one of my favorite movies and knew this foot work was from the Moses Supposes Dance Number but still don't know how they made this happen!

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Free Day at LACMA

I love going to a museum and turning a corner and having a sweet surprise.  My favorite happening of this sort was in NY in 95 at MoMA and when I turned the corner and found Vincent van Gogh's Starry Night, staring back at me.  My visit Monday had a wonderful surprise as I was just breezing through a collection I already thought I knew and had seen.  I found a new treasure or Easter egg in the back of the Art of the Americas Building, 3rd floor. It was R.B. Kitaj's Covers for a Small Library, a temporary exhibition of interesting prints.  It's on view through July 4, 2011.
It's the artist's personal collection from his time in New York when he had self proclaimed "bibliomania".  Authors included Kafka, Joyce, Nabokov, Camus, and (my favorite) T.S. Eliot.  The body of work is enlarged photo facsimiles prints of book jackets, showing all the damage and handling and love these books had before coming into Kitaj's personal collection.  The prints are large, (I am guessing 11x17 possibly).  Most of the prints were marked 63/150-not sure of who owns the collection on display. Favorites of the artist (and mine) are titles like Ezra Pound's How to Read, Margaret Mead's The Coming of Age in Somoa, Dimestore Paperbacks like Jack London's The People of the Abyss, A Pelican Book published by Penguin Books, a beautiful cover of a book about Edward Weston, and the City of Burbank Annual Report.
The last treat and something new to see, was Steve Wolfe on Paper, 2nd floor of the Ahmanson Building. As an ex-scenic painter, the trompe l'oeil of the artist's vinyl records was amazing.  It was hard to believe and it always begged for a closer look, one of the record works had a slight thumb print that finally saidI'm not vinyl, quit doing double takes! Besides the record renderings, there was also mixed media and collage. My favorite was a sweet little piece of a spider web that was framed at a right angle and demanded being hung in a corner.  As an artist, it's time to start remembering it can be and sometimes should be fun-for both the artist and the observer. _______________________ _________________________________

LACMA's Fashioning Fashion

   

There were many things of interest at the Fashioning Fashion exhibit, running now through March 27, 2011. It lays out in amazing ways the changes in fashion and differences of dress for both men and women. I found it of great interest to know that the modern/current men's suit really hasn't changed since the turn of the LAST century as shown in a suit from England from around 1906 or so...

It gives me a grin to see the things humans find sexy since there are so many things that people find erotic. Displayed in a corner of the exhibit were some fetish items. Odd that that corner gets congested! (this was my second visit to the museum and that spot) The curation talks of how Toulouse-Lautrec was an artist of the time documenting, living, and depicting brothels and the women in them. The plaque near these items also talked of the idea of restraint and release (the words alone are quite weighted and powerful) and how tantalizing it could be to have to wait, take time and unlace all those laces on the boots!
When taking a costuming class for theatre studies, it was stated that when men's breeches were short, that a man's calves were like today's abs or arms. Women would swoon and there was even enhancement and padding that men would use to give 'em better calves. It sounds silly but I do know of times where I find myself looking at a man differently after seeing their strong calves so I guess anything is possible erotic or fetish.
Also of interest in the serpentine path of items behind the fetish boots is the other item of fetish interest. Less people go back there as it's the last part of the exhibit. It was a display of ladies stockings. The stockings were bright and elaborately embroidered-all for the slight opportunity of a flash of the ankles of a woman. Under all those skirts, seeing a woman's ankles and tease of a leg was something that would make men go wild.
In these days of showing so much, what is still seductive? What in fashion is something that brings interest and excitement? In these days of celebutantes behaving badly and exposing all sorts of "stuff", what is shocking anymore?  Can't wait to see what will be curated 50 years from now on fashion and fetish. _______________________ _________________________________

Aspirations of Hotness

I wish I had this power! This video is hot, BUT how can one go wrong, Mila Kunis, and Blakroc (Mos Def and Black Keys on this one!) Interesting way for Esquire to have a presence in other forms of media beyond it's printed self.

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love this lettering!

How clean, modern and interesting.  Also my favorite time of day-twilight.

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